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The Pursuit of Woodwork Perfection

Robert Howard is a Brisbane master woodworker who has made the same chair more than 30 times and is still not happy with it. A short film by Quinn Murphy about chasing perfection, and enjoying the work along the way.

The Pursuit of Woodwork Perfection

“Being focused on the end can be very good if you want to make money, because it means you get a lot of stuff out the door. I’ve never been like that.”

Robert Howard

The chair

Robert Howard is a master woodworker based in Brisbane, and he has spent years honing his craft. Getting a piece right matters more to him than getting it finished. “I like to be able to keep going at it until I’m happy,” he says.

Way back when he started out, one of the first pieces he made was a chair he had designed a few years before. He has wrestled with it on and off ever since. “Must have made more than 30 times, I imagine, and I’m still not happy with it.” At times he has suspected he has been going backwards, not forwards. He will keep making it anyway. “I can feel one coming up.”

Robert standing in his workshop holding a carved bowl, a second bowl on the bench in front of him
Robert standing in his workshop holding a carved bowl, a second bowl on the bench in front of him

Forks in the road

Robert teaches, and there is one thing he tells his students all the time: make things more than once. Every piece is a run of decisions, forks in the road where you choose to do this or that, and once you have chosen there is no going back.

“You can take the wood away, but you can’t put it back.”

Robert Howard

The first couple of times through, he says, you learn the form. You learn what it is you are making, which parts are difficult, and which you have to be particularly careful with. “Then you can start making something.”

Robert marking out a block of timber with a scribe
Robert marking out a block of timber with a scribe
Robert carving the slots of a bowl, seen from above
Robert carving the slots of a bowl, seen from above

Simple is hard

Looking back over everything he has made, the pieces Robert likes most are often the simplest. They can be very difficult to make, but with so few elements there is less to get working together.

Pieces with a lot of turns are harder. “You get it right from one view, and then it turns around, and suddenly there’s something that you can’t live with.”

Robert holding up a carved bowl with spiralling slots
Robert holding up a carved bowl with spiralling slots
The base of the bowl, signed Howard 2012
The base of the bowl, signed Howard 2012

Hope, not expect

Perfection can be a problem, Robert says, if you let it spoil your enjoyment of what you are doing. He has known people like that, people who get down on themselves because a piece isn’t perfect. It doesn’t happen to him.

“I don’t expect it to be perfect. I hope it’ll be perfect, but I don’t expect it.” When a piece turns out with problems, he is quite happy to have another go.

Robert running his fingers along the slats of a bowl
Robert running his fingers along the slats of a bowl

He is very much a perfectionist, by his own account, and that is what keeps sending him back to the bench: to try and get it perfect, “which you never do.” The end never quite arrives. “No, never.”

Robert at work in his crowded workshop, light coming through the window
Robert at work in his crowded workshop, light coming through the window
Robert sharpening a chisel on the grinder, sparks flying
Robert sharpening a chisel on the grinder, sparks flying

About the film

The Pursuit of Woodwork Perfection was filmed and edited by Quinn Murphy, working on his own. It is the first film on Ordinary Giants from an outside contributor.

Robert looking down at his work, deep in concentration